Introducing Rosemary Morris - Author of Historical Romances

 At Watford Writers there are many authors and poets of great talent, so let this blog post introduce you to Rosemary Morris who writes historical romance novels.

There is a gigantic canvas for a historical novelist to choose from. So far Rosemary Morris has chosen to set her published novels in the reign of Queen Anne Stuart 1702 – 1714 and the ever popular Regency era 1811 - 1820. She is now writing Tuesday’s Child a Regency novel and revising Proud Norman Nest set in the reign of Edward II.

Rosemary Morris - Historical Romance Author

She chose those three periods because each of them affected the course of history. If the Duke of Marlborough had not won The War of Spanish Succession and The Duke of Wellington had not defeated Napoleon at The Battle of Waterloo the history of Britain and that of Europe would have been very different. Defeat would also have had far-reaching consequences for the rest of the world. If Edward II had won the Battle of Bannockburn, Robert the Bruce would have probably been killed. It is feasible that King Edward II would have conquered Scotland and, perhaps, as it is claimed, he would not have been murdered.

The more Rosemary reads about her chosen eras the more fascinated she becomes and the more aware of the gulf between those periods of history and her own.  She believes people who lived in the past shared the same emotions as we do but their attitudes and way of life were in many ways quite different to ours. One of the most striking examples is the position of women and children in society during bygone ages.

Rosemary presents men and women who are of their time, not those dressed in costume who behave like 21st century people. Of course, it is almost impossible to completely understand our ancestors. However, through extensive research Rosemary ensures her characters observe the social etiquette of their lives and times. If they didn’t, they would be outcasts from society.

Research of Rosemary’s chosen eras sparks her imagination. The seeds of her novels are sown. From them sprout the characters and events which will shape their lives.

Rosemary Morris was born in in Sidcup Kent. As a child, when she was not making up stories, her head was ‘always in a book’; and she has always loved learning about history, reading historical fiction and non-fiction. In her mind’s eye she visualises many people who lived in past times. Eyes closed she can visualise Princess Elizabeth sitting on the steps outside the Tower of London afraid that like her mother, Anne Boleyn, she would be beheaded. To name a few more, there she imagines Alfred burning the legendary cakes, the smoke from the fire stinging his eyes, tragic but foolish Charles I, grim faced Oliver Cromwell and The Merry Monarch, Charles II

She can’t remember a time when she wasn’t engaged in creative writing – particularly historical fiction. To research, Rosemary has read dozens of non-fiction books and visited places of interest. On a visit with a friend to Hatfield House, where Princess Elizabeth received the news that she was Queen Elizabeth the First, they saw Queen Anne Stuart’s Coronation chair. While they looked out over the knot-garden, Rosemary shared anecdotes about the queen. When she and her friend turned around a group of American tourists had gathered to listen. ‘Pass the hat around,’ her friend joked.

While working in a travel agency, Rosemary met her Hindu husband, who was reading law at Middle Temple. He encouraged her to continue her education at Westminster College.  In 1961, Rosemary and her husband, now a barrister, moved to his birthplace, Kenya, where she lived from 1961 until 1982. In Africa she was privileged to see herds of elephants. She also saw rhinos and lions besides many other animals. Besides visits to the game parks she enjoyed the white sands and warm seas at the coast.

After an attempted coup d’état, she and four of her five children lived in an ashram in France. Rosemary and her children enjoyed the alternative way of life and studied Sanscrit literature. Rosemary has read and re-read the Bhagavadgita As It Is by A.C.Bhaktivedanta Swami Prabhupada and the great epics The Mahabharat and The Ramayan, which rival the Greek classics, and The Srimad Bhagavatam.

Back in England, Rosemary wrote historical fiction and joined the Romantic Novelists’ Association, Historical Novel Society and Watford Writers.

As well as writing historical fiction, Rosemary enjoys reading, visiting places of historical interest, vegetarian cooking, growing organic fruit, herbs and vegetables and creative crafts.

Time spent with her five children and their families most of whom live near her is precious.

Titles of Rosemary’s Books:-

Sunday’s Child, False Pretences, Tangled Love, Far Beyond Rubies, The Captain and The Countess.

The novels are available as e books from MuseItUpPublishing, amazon.co.uk, Nook, Omlit, Bookstrand Mainstream, Kobo and elsewhere. Far Beyond Rubies is also available as paper back.

You can read the first three chapters of the novels and view the book trailers on Rosemary’s website www.rosemarymorris.co.uk.

Rosemary would like to hear from you and receive your comments and reviews. She can be contacted at: rosemarymorris@hotmail.co.uk.

Writing With Feeling – Where is the Emotion?

I’m sure you’ve read books that, without quite knowing how it was done, brought memories, feelings and emotions you didn’t even know you had up to the surface to flood through you.  Books you’ve laughed with, cried with and even screamed in terror with.

They are not always the obvious books; the romantic weepy, the slasher horror story or the slapstick comedy.  They can be books about ordinary lives and the kind of people we might know. People going about their business; experiencing their daily small hurts and triumphs.

Written by authors who can make their words dance in a way that speaks straight to our hearts.

The best books let us learn something about ourselves. They illuminate parts of us we might not really want to look at; allow us to feel stuff, revisit old hurts and wounds safely in the world set out between the pages.  The tears we cry for our fictional friends are just as cathartic, the joys we share with them just as uplifting as those we feel for ourselves.  With books like these, when you turn the last page it’s like leaving home and saying goodbye.

So as writers how do we go about putting the emotion back into our writing?

I have to confess I am at the very beginning of this journey, so all I can do is share the thoughts and insights I have had and what brought me to the realisation that my writing needed more feeling, more raw life and a bit of true grit.

Writing the Aten Sequence books is fun.  It is a light-hearted, tongue-in-cheek romp through science fantasy and Ancient Egypt.  So far the characters have faced some challenges, been in a bit of danger and had their petty disputes, but there’s been nothing too heavy. And let’s face it, there’s not a shred of evidence that our protagonist Aten even has a heart, let alone knows how to use it.

In the third book, which I’m currently revising and editing, this all changes.  Something happens which will have a major impact on the major characters; they will experience loss, suffer grief, regret and guilt.

Yet when I went through the chapter that would change everything for them and, hopefully the reader, it read with all the emotion of a recipe posted on a cooking blog.

The words are there, the facts are there; everything the reader needs to know about what happens and move the story along is there.  But the feeling isn’t there.  It’s as emotionally flat as a pancake!

So what have I done to help put the emotion into my writing?

 Exposure – as authors we might think we are writing solely for the benefit of our readers, but I believe the most talented authors know that they have to put themselves into their work.  They have to expose themselves.  Show who they are through the actions, feelings and thoughts of their characters.

Exposure is scary; letting people see who we really are and be honest about our feelings is hard for a lot of us.  But the only emotions we have access to are our own, so we need to use them when we are creating our characters and putting words into their mouths.  Especially, the darker, pettier, less glorious traits we possess. 

Exposure makes us feel vulnerable, but as an author I feel you have to accept you will feel a degree of vulnerability every time you send a manuscript out, every time you read your story out loud to an audience or ask a friend to critique it.  Letting myself feel vulnerable like this has been a hard one for me, as I used to hate anyone reading my writing.  But I’m having to work to get over it, or all I’ll ever have to show for my effort is a few yellowing manuscripts at the back of a drawer.

Practice – like everything you want to be good at, writing is about practice.  Just as nobody gets to be good at tennis by sitting on the sofa watching TV, your writing won’t improve unless you write.  Most experts recommend that if you are serious about your craft then you need to have the discipline to write every day.  To set aside some time and write, even if you only produce a couple of lines in the time allotted.

Intention – if, like me, you don’t think you are getting your readers to feel the range and depth of reaction and emotion you would like to call from them; take time and pay more attention to the words you choose and how you use them.  I tend to like to gallop on with the story, so miss opportunities to draw the reader in and give them the space to experience it all – to feel whatever it brings up for them.

It is also tempting to tell our readers what they should be thinking or feeling.  Avoid being too explicit with what your characters are experiencing.  The old ‘show not tell’ is just as pertinent when it come to emotion and allows the reader to create their own interpretation, come to their own conclusions.   If you tell your readers your hero Joe is heartbroken because his girlfriend left him, it is not likely to grip their imagination as much as if you painted a picture of his grief and sense of loss through his actions and dialogue.

So, taking my own advice on board, this week I have been practising!  I have been writing poetry, which is very unusual for me – love poetry no less!  It might not be very good poetry and probably wouldn’t win any competitions, but the aim was to write emotionally, to expose feelings, pain and hurt.

As an author you can never really know if you have achieved that; only a reader can tell you if you touched them with your words. It may take hundreds of thousands of these words to get it right, but if you are serious about being a writer you will keep on trying and will never give up.

 I Wish I Knew

Ribbons of thought unwind

Round kisses, words and time

When lying warm and drowsy

Sun creeping across your bed

Was all the paradise I needed

To banish the doubts from my head

From the night I first saw you

The casual glance you threw my way

When I saw in a stranger

A man to steal my heart away

The heart I left unguarded

A trust for which I’d have to pay

Didn’t know shadows could lengthen

Thought the sun would stay

Believed that in that patch of golden light

My dragons you would slay

So when I smiled and reached for you

I didn’t see you’d slipped away

For though your body lay warm beside me

In your head you’d gone

Galloped to a distant country

Where another conquest you won

I wish I’d seen, I wish I knew

That all I was, was the past to you

That even as you loved my body

My face you did not see

Patterns on the wallpaper more interesting than me

 I was a port of call, a pit stop along the way

A place to fuel and rest awhile

Till other interests lit your day

I tried to stay, I tried to pretend

Things had never changed

That the words you said still rang true; believed them all the same

But knowledge is a dangerous thing, so when I saw you smile

And look across the crowded room to catch a brand new gaze

I could hide no longer; from Eden turned away

Flash fiction – or How I Got with the Programme!

I suppose you could say I came to writing via a circuitous route.  I started the first Aten Sequence book a few months before I went travelling in 2007 around Australia, with all good intentions of having it finished by the time I returned. Well that never happened – too many beaches, kangaroos, outback trails, excellent restaurants and fun to be had!

On my return I discovered an American website called Hubpages and started writing articles and earning money online, so fiction writing was firmly on the back burner.  After several years, I turned back to my original project and the first two Aten Sequence books were completed and self-published

But like all things, if you are passionate about what you do, you want to learn, you want to improve, and want your writing to be the best it can be. So how to do it?  Of course, one of the best ways is to keep on writing, so I started writing short stories as well as starting on the third Aten book.  I also started reading everything I could on composing stories, structuring novels, marketing and how to get book reviews.

But the thing that always puzzled me was the amount of people who wrote flash fiction. Why?  What was the point of it?  Flash fiction, if you have never come across the term before, is a very short, complete story of under 500 words or so.  There is even micro fiction, which is generally accepted as a story of 300 words or less.  But if you have novels to write, why spend your precious time crafting these stories?

I finally learned the benefit of flash fiction and how I could use it to improve my writing skills when I joined a writers group.  Again this was something I had thought about for around three years before I plucked up the courage to attend one of the Monday night meetings, where regular flash fiction competitions are held. These stories have to be 300 words excluding the title and the theme is chosen by the group.

So how did starting to write flash fiction help to improve my writing?

·                   It made me start to consider every word I used and weigh up how important it was to the story.  Writing full length novels makes it very easy to fall into the trap of using too many words and indulging in long, rambling sentences.

·         If using adjectives and adverbs is the cardinal sin of writing, then flash fiction helps you eliminate them and forces you to find ways of conveying your meaning without using too many descriptive words.  If you have only got 300 to use, you want to make sure each one counts.

·         It helps bring clarity.  You have a story to tell, ideas to get across, points of view you want to share.  You have to get rid of all the waffling, rambling and going around the long way.  For a complete story you still need a beginning, middle and end, so you need to strip out all the unessential elements and get on with it.

·         This stripping out also means ditching characters, too much scene setting, and any dialogue that does not add to the plot.  The ‘KISS’ principle reigns supreme; to tell your story in so few words you have to keep it as simple as possible.

·         You need to wrap the story up with a decisive last line. It is too easy with so few words to leave a story hanging and not give your readers an ending that satisfies them.

·         Flash fiction poses a new challenge every time.  You are given a theme, a word count and you have to produce a piece of writing in set time period. Challenges can be scary but they push us out of our fur-lined writing ruts and test us to think differently about what we are doing and write on topics we would usually avoid at all costs.

.·        Writing flash fiction gives you the opportunity to have a long, hard look at the bad writing habits you have gotten into. What words do you habitually overuse? Do you have certain phrases or expressions that creep into every piece you write, whether they are appropriate or not?  In these very short stories, there is no place for your writing ‘comfort blankets’. They have to be discarded to crisp up your story and let it be told within the word limit.

I am no great expert in writing flash fiction and am relative newbie in producing these very short stories.  But I am already beginning to see the benefits and am starting to bring what I have learned to my longer projects.

So, if like me, you are sceptical about how writing flash fiction can help you develop as an author, why not give it a go?  There are competitions and sites online where you test out your skill or you can join a local writers group, where you will receive useful feedback and critiques.

Here is an example of flash fiction.  It is a story I wrote on the theme of 'beyond the gate' for the Watford Writers Group, which I am very proud to say won the third prize.  I hope you enjoy it.

The Darkest Hour

The shadows lengthened as the moon slipped behind the mountain.

Maren knew it was time to wake the American.  The wounded flyer would only get one chance and, if he didn’t get it right, they could both be dead by the time the sun rose.

He reached out and shook the sleeping man’s shoulder, shoving his other hand over his mouth to stop him calling out.

‘Time to go,’ he whispered. ‘The moon’s just set, so it’s as dark as it’s going to get. You need to keep low and make as little noise as possible.  I haven’t seen or heard one of their patrols in a couple of hours, but it doesn’t mean they’re not out there waiting for us to make a move.

Maren took the top off his water bottle and thrust it at the American, who took a few thirsty mouthfuls.

The young flyer gave the old Basque guide a grateful look as he handed back the bottle.

‘Won’t you come too?  Someone tipped the Nazis off, those patrols were waiting for us? It’s too dangerous to stay.’

Maren shook his head.

‘My family is here.  If I don’t go back I’m putting them all under suspicion.  Besides, Todor is only expecting one package.’

‘How can I thank you for what you’ve done for me?  You’ve risked so much?’

‘By not getting caught.  The Spanish border is over there by that stand of pine trees.  Get beyond the gate and you should be safe.’

At that moment a light flashed three times in the trees, the signal Maren had been waiting for.

‘You must go now,’ he said pushing the American out of the barn door, watching as he stumbled into the dying night to be swallowed by the darkness.

Don’t Be a Desperate Newbie Author

Please buy my book, please buy my book, please, please buy my book!

Now this could be called, if you were in a generous mood, a call to action. But then again it might just come across as being a little bit desperate. The unfortunate thing about this is that during the times when we are most in need we are also our most unattractive. Like those long ago times at the school disco when you stood frantically checking out the boys on the other side of the room, hoping against hope that one of them would dare to break rank and come and ask you to dance, while you pretended to be so cool and uncaring.  It didn’t happen because despite your best efforts, despite the false giggles and talking to your mates, you reeked of desperation.

Now, like me, you may have just self published your very first book or even have been lucky enough to have landed a traditional publishing deal.   You have probably been thinking about this book, writing this book, editing this book and procrastinating over this book for years. But all of a sudden, you now have a tangible product in your hands or on your e-reader. And you have to sell it, because these days nobody is going to do it for you.

So what do you do when you run out of obliging friends and family that can be persuaded, sweet talked or bribed to download your pride and joy? When you realise that all of your loved ones have started leaving the room when you enter or are discreetly taking the battery out of their hearing aids rather than listen to any more of your pitiful begging? To be quite honest, I don’t really know.  So far I have managed to rein in my impulse to run down the road and accost total strangers, but for how much longer?

But the one thing I have learned is that is fatal to come over as desperate, under confident and generally like a typical newbie. To be like one of those kids with their faces eternally pressed up against the window of the sweet shop that never gets to go in and choose their candy. One of the problems, oddly enough, is not that there is too little information out there about how to sell and promote your book. In fact there is probably way too much. There is blog after blog, website after website, free download after free download all trying to tell you that they have the secrets that you are looking for, the tips that will get you results, and the only wisdom that you will ever need in your journey to becoming a best-selling author. Now I was very surprised to find that I should have started promoting my book at least a year before I published it, but unfortunately for me that is a boat that has already sailed. But at some point you are going to have to put your toes in the water and starting pushing your work in order to gain an audience.

Now whether you choose to blog, tweet, Facebook, Pin or do combinations of lots of things is up to you, but here are some general things to bear in mind:

1)      Although you are a brand new author, with maybe just one title or an unfinished manuscript under your belt, you are still an writer and should be proud of what you do.  Being a good writer means learning all the time, and often the people we can learn the most from are established authors who have garnered a lot of skill and experience over the years. But just because someone has written a raft of best-sellers and is a household name, does not mean that you have to abase yourself before them and go to the extremes of follower behaviour. Always speak and communicate with your writing peers as an equal, and while acknowledging that other authors deserve respect for their achievements, remember that you too have experience, skills and a lot to offer.

2)      Criticism is always hard to take and as writers we are inevitably going to get some bad reviews and criticism of our work.  However, it looks so much better to the world if we learn to deal with these bad reviews graciously and, if the criticism is constructive, take on board what was said and use it to improve our writing in the future.  After all, we are always learning right? But one of the sad facts of the world today is that the internet is infested with trolls, nut jobs and people with nothing better to do than judge other people’s work.  The trick is to discern genuine constructive criticism that you can learn from, and which reviews are just attacks or nastiness.  Also, it is important to remember that reviewers are talking about your book and not you as a person.  If a troll does start attacking you personally, blank them and they will generally get bored and go away.  Or hit the report button of whatever social media site you are on if you are sure that they are really having a go at you and not just expressing an opinion that you do not like.

3)      Another important thing to remember is that while we may be trembling jellies, unsure of ourselves and how our books will be received by the world, there are plenty of people out there, especially on the internet that are mighty sure of themselves.  Unfortunately, just because they come across well and have a shiny, slick looking website doesn’t mean that they are experts or know what they are talking about.  If you do a lot of research and reading you will come to work out those writers and bloggers who really do know their stuff and who resonate with you. But before you are really sure of someone’s expertise and credentials, don’t be tempted to be parted from your money.  You could easily spend a lot and gain very little, or even be outright scammed if you are not careful.

4)      A guru is someone who discovered something that worked well for them and then communicated how they achieved that success to their followers.  This is great and you can learn a lot.  It does not, however, mean that if we slavishly follow their every move that it will necessarily work for you or me. We are all on our own, individual writing journeys and have different goals, different ways of doing things and different comfort zones. So we need to test things out, try different things and build our own promotional toolkit of things that work for us.  And when we do find something that works well for us, pay it forward and share it with the followers that we have gained. And then you might just be surprised to find that people have started talking about you as the latest hot shot writing, publishing or social media guru.

5)      Don’t get caught up in the politics.  I was blissfully unaware of the raging arguments between Indie and traditional publishing before I started my reading and research, and have been somewhat surprised by the heat and vehemence displayed in some of the opinions for and against both positions.  Again you need to do what you feel is right for you and this may change on a book by book basis.  I have chosen to self publish my first book without exploring the traditional route, but that is my decision and I applaud any author who chooses the traditional route. Life is a smorgasbord as far as I am concerned and I have always been a fan of a pick n’ mix approach to life.

I think that we newbie authors can be guilty of taking ourselves a bit too seriously. It used to be so much easier in the good old days, when all we had to do was labour over our manuscripts in a freezing, windy attic for years before dying and being ‘discovered’ years after our deaths. Now we not only have to write a good book, we have to brand ourselves, build an author platform and try to be a professional in every situation that life throws at us. But ask yourself why you really write.  Do you have a story inside you that just has to be told?  Do you want the freedom from commuting and a workplace that writing can offer you?  Do you want to have fun and experiment a bit?

So be proud of your achievements so far and face the world with confidence and a sense of self worth.  Desperation just attracts the predators in and leads us to making bad decisions.  So we owe it to ourselves to chill out a bit, enjoy the journey as we go along and trust that if our work is good enough and we do some work on promotion that people will find our books, read them, enjoy them and come back for more.

One last thing......please buy my book, please buy my book, please, please buy my book!!!

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